Analog Video in Moving Image Archives & Conservation: Infrastructures of Knowledge from Production to Preservation

Authors

  • Lauren Sorensen University of California, Los Angeles

DOI:

https://doi.org/10.5334/kula.32

Keywords:

audiovisual archives, media conservation, analog video, infrastructure, maintenance

Abstract

The essay uses a set of theoretical ideas offered by Susan Leigh Star to argue for a shift in contemporary understandings of, and approaches to, video preservation. Instead of focusing on the granular characteristics of tape and their material stability, I argue, the audiovisual archival community should view preservation as a set of linked systems that function within a web of shifting perspectives and context-driven solutions. 

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Author Biography

Lauren Sorensen, University of California, Los Angeles

Lauren Sorensen is doctoral student in Information Studies at UCLA, and freelancing audiovisual archivist. Her research interests include digital preservation, video archives, independent media, copyright & fair use, and feminist informatics. She has held positions at the Library of Congress, Bay Area Video Coalition (BAVC), independent film distributor Canyon Cinema, among others. She received a Masters in Moving Image Archiving & Preservation from New York University in 2007, and is currently Secretary of the Board of the Association of Moving Image Archivists (AMIA).

References

Arnold, Hillel. 2016. “Critical Work: Archivists as Maintainers.” Hillel Arnold (blog), August 2, 2016. https://hillelarnold.com/blog/2016/08/critical-work/. Archived at: https://perma.cc/P3L7-GS2M.

Bateson, Gregory. 1987. Steps to an Ecology of Mind. 2nd ed. Northvale, NJ and London: Jason Aronson Inc.

Besser, Howard. 2001. “Digital Preservation of Moving Image Material?” The Moving Image: The Journal of the Association of Moving Image Archivists, 1(2): 39–55. https://www.jstor.org/stable/41167061.

Bigourdan, J., James M. Reilly, Karen Santoro, and Gene Salesin. 2006. “The Preservation of Magnetic Tape Collections: A Perspective.” NEH Grants PA-50123-03. Rochester, NY: Image Permanence Institute, Rochester Institute of Technology.

Boyle, Deirdre. 1993. Video Preservation: Securing the Future of the Past. New York, NY: Media Alliance; New York, NY: New York State Council on the Arts. https://archive.org/details/videopreservatio00boyl.

Campbell, Laura. 2002. “The National Digital Information Infrastructure and Preservation Program (NDIIPP) and Its Implications for a Research Agenda for Digital Preservation.” Library and Information Research, 26(84): 32–40. https://www.lirgjournal.org.uk/index.php/lir/article/view/140.

Cuddihy, E. 1980. “Aging of Magnetic Recording Tape.” IEEE Transactions on Magnetics, 16(4): 558–68. DOI: https://doi.org/10.1109/TMAG.1980.1060652

Everett, Dino. 2018. Interview by Lauren Sorensen, February 19, 2018.

Fleischhauer, Carl. 2003. “Looking at Preservation from the Digital Library Perspective.” The Moving Image: The Journal of the Association of Moving Image Archivists, 3(2): 96–100. DOI: https://doi.org/10.1353/mov.2003.0027

Gracy, Karen F., and Miriam B. Kahn. 2012. “Preservation in the Digital Age.” Library Resources & Technical Services, 56(1): 25. DOI: https://doi.org/10.5860/lrts.56n1.25

International Standards Organization (ISO). 2012. Imaging Materials – Magnetic Tape – Care and Handling Practices for Extended Usage. ISO 18933: 2012. Geneva, Switzerland: ISO.

Kalil, Ford. 1982. Magnetic Tape Recording for the Eighties. Washington, DC: NASA. https://ntrs.nasa.gov/search.jsp?R=19820021703.

Klacsmann, John. 2018. Interview by Lauren Sorensen, February 21, 2018.

Laurenson, Pip. 2001. “Developing Strategies for the Conservation of Installations Incorporating Time-Based Media with Reference to Gary Hill’s Between Cinema and a Hard Place.” Journal of the American Institute for Conservation, 40(3): 259–66. DOI: https://doi.org/10.1179/019713601806113003

Sargent, Ralph. 1974. Preserving the Moving Image. Washington, DC: The Corporation for Public Broadcasting; Washington, DC: National Endowment for the Arts.

Sloper, Amy. 2018. Interview by Lauren Sorensen, February 19, 2018.

Star, Susan Leigh. 1999. “The Ethnography of Infrastructure.” American Behavioral Scientist, 43(3): 377–91. DOI: https://doi.org/10.1177/00027649921955326

Suchman, Lucy. 2002. “Located Accountabilities in Technology Production.” Scandinavian Journal of Information Systems, 14(2): 7.

Van Bogart, J. W. C. 1995. “Magnetic Tape Storage and Handling: A Guide for Libraries and Archives.” Washington, DC: Commission on Preservation and Access; St. Paul, MN: National Media Laboratory.

Welz, Gerhard. 1987. “On the Problem of Storing Videotapes.” In: Archiving the Audiovisual Heritage. West Berlin, Germany: Coordinating Council of Audiovisual Archiving Associations. https://www.fiafnet.org/images/tinyUpload/Events/Other-Events/Berlin-1987-RED.pdf. Archived at: https://perma.cc/H7TG-7MLE.

Wheeler, Jim. 1983. “Long-term Storage of Videotape.” In: Archiving of the Moving Image in the 21st Century. Stockholm, Sweden: Coordinating Council of Audiovisual Archiving Associations. https://www.fiafnet.org/images/tinyUpload/Events/Other-Events/Stockholm%201983-RED.pdf. Archived at: https://perma.cc/WFH6-QRKZ.

Wheeler, Jim. 1987. “Archiving the Various Audio and Video Format.” In: Archiving the Audiovisual Heritage. West Berlin, Germany: Coordinating Council of Audiovisual Archiving Associations. https://www.fiafnet.org/images/tinyUpload/Events/Other-Events/Berlin-1987-RED.pdf. Archived at: https://perma.cc/H7TG-7MLE.

Downloads

Published

2018-11-29

How to Cite

Sorensen, Lauren. 2018. “Analog Video in Moving Image Archives & Conservation: Infrastructures of Knowledge from Production to Preservation”. KULA: Knowledge Creation, Dissemination, and Preservation Studies 2 (1):8. https://doi.org/10.5334/kula.32.

Similar Articles

1 2 3 4 5 6 7 8 9 > >> 

You may also start an advanced similarity search for this article.